Although obviously not to everyone’s taste, can be a rather meditating experience with sparse dialogue and long silent scenes where the viewer is given the opportunity to submerge in the significance of the seemingly insignificant.The film is also filled with subtle humour portraying everyday life of an extremely bored pre-adolescent boy.One of the focal scenes of the film has Xiao Wu reading out loud a composition he was supposed to write as part of his homework. In a somewhat shaky voice he presents Jung as his Korean father who has a distinct smell of beer and Johnson’s baby powder but also someone who loves him and cares for him and meets him every day after school.
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The film’s central characters are Xiao Wu, an 11-year-old Chinese latchkey boy left to fend for himself after school while his mother is away on never-ending business trips and Jung, their thirty-something suicidal wreck of a tenant from Korea.
The obvious obstacles to any communication between the two, such as the language barrier and the age gap, do not deter the boy from constantly attempting to establish a link to Jung.
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Constant social interaction is not just an unavoidable subproduct of the ever-increasing urban co-habitation, it is also very much a prerequisite for our humanity in general and our own place in the surrounding society in particular.
As a result, this child not only lacks any human language but often never even learns to walk upright.
Most of the time, the two protagonists wear white shirts and tops.